I hope other developers take PreSonus and Celemony’s SDK (Software Development Kit) and run with it, as it truly is a game-changer for Melodyne users.
#Presonus studio one review pro#
This dovetails nicely into my second favorite 5.1 feature (technically not entirely new): the workflow with Melodyne in Studio One Pro is unparalleled with PreSonus’ custom ARA 2.0 integration – I’d love to see this available in other DAWs notably LUNA or Ableton Live. You can also drag-and-drop raw audio into Celemony Melodyne to convert it to MIDI via the built-in ARA 2.0 (Audio Random Access) support. Entire mix routings and send chain levels can be copied from one mix channel to another with drag-and-drop, which is only one example of the timesaving (and logical!) shortcuts that make Studio One Professional a joy to build a mix with. First on my list: Even though version 4 had many pleasantly utilitarian drag-and-drop features, v5.1 kicks it up a notch. To draw a parallel line with the version number, I’ll try to keep this review focused on five new elements that I discovered – which were immediately useful to my workflow – plus one more that I could see spending more time with in the future. Of course, there are plenty of new features to cover. Since that time, PreSonus has introduced a flurry of improvements to their flagship DAW, culminating in this latest iteration, version 5.1. I’ve established Studio One as my primary mix and master environment these days, making the jump with the previous version (Studio One Pro v4.5) from other – ahem – Pro(fessional) Tools(ets).
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